Georg Flegel

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.


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Georg Flegel Still Life with Stag Beetle oil


Still Life with Stag Beetle
Painting ID::  83953
Still Life with Stag Beetle
Date 1635(1635) Medium Oil on wood cjr
Date_1635(1635) _ Medium_Oil_on_wood _ cjr
   
   
     

Georg Flegel Vorbereitung zur Mahlzeit oil


Vorbereitung zur Mahlzeit
Painting ID::  84732
Vorbereitung zur Mahlzeit
Oil on canvas Dimensions 44 x 66 cm (17.3 x 26 in) cyf
   
   
     

Georg Flegel Still life with herring und Bartmann jug oil


Still life with herring und Bartmann jug
Painting ID::  84783
Still life with herring und Bartmann jug
Oil on oak panel Dimensions 25.5 x 32.5 cm (10 x 12.8 in) cyf
   
   
     

Georg Flegel Blumen oil


Blumen
Painting ID::  85265
Blumen
Oil on canvas Dimensions 61 x 44 cm (24 x 17.3 in) cyf
   
   
     

Georg Flegel Still-Life with Fish oil


Still-Life with Fish
Painting ID::  85570
Still-Life with Fish
Date 1637(1637) Medium Oil on wood Dimensions Height: 19 cm (7.5 in). Width: 15 cm (5.9 in). cjr
   
   
     

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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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